The Open Window Society

The Open Window Society

Notions on sci-fi, horror, psychedelia & other phenomena from the edges of reality in graphic arts, literature, music & film.

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Custodians:
Jacqui Oakley
artist, illustrator
Jamie Lawson
artist, designer at poly

The Open Window Society would like to acknowledge the following:
William S. Burroughs / J.G. Ballard / J.L. Borges / Brion Gysin / Athansius Kircher / Philip K. Dick / Alfred Bester / Cordwainer Smith / Aleister Crowley / Wallace Berman / Arthur C. Clarke / Ray Bradbury / Andrei Tarkovsky / Syd Mead / Hans Belmer / Max Ernst / Francis Bacon (both) / Arthur Rackham / Aubrey Beardsley / Austin Osman Spare / Wassily Kandinsky / HP Lovecraft / Algernon Blackwood / Arthur Machen / Jack Vance / Stanislaw Lem / Franciszek Starowieyski / Gustav Meyrink / Jules Verne / HG Wells / John Wyndham / Franz Kafka / Amos Tutuola / Robert Anton Wilson / William Blake / Frank Herbert / Frater Achad / Lewis Carrol / Winsor McKay / Josef Albers / Goethe / Làszló Moholy-Nagy / Edgar Allan Poe / Mary Shelley / Ingmar Bergman / Federico Fellini / Aldous Huxley / James Joyce / Odilon Rédon / George Orwell / John Varley / Delia Derbyshire / György Ligeti / Wendy Carlos / Karlheinz Stockhausen / Jan Švankmajer / Max Fleischer / Augustin Lesage / Ray Harryhausen / Isaac Asimov / Buckminster Fuller / Marcel Duchamp / Man Ray / T.F. Marinetti / El Lissitsky / Fortunato Depero / Fernand Léger / Robert Delaunay / Robert Desnos / John Cage / Tex Avery /

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9 posts tagged design

Jamie Lawson - Arcade

Jamie’s second mix for designers.mx. Some quieter & prettier tunes here, but still alien, psychedelic & cinematic* enough to keep your brain kindled. Lots of strings, twangs, la-la-las & ooo-ooo-ooos. Was looking to get some of that weird dreaminess across in the art too – apologies if anyone was expecting something a little more proggy…

*Les Fusées by Alain Goraguer is from the awesome animated movie Fantastic Planet (La Planete Sauvage), Come Maddalena by Sun City Girls is a cover of Ennio Morricone’s Come Un Madrigale from the soundtrack to Dario Argento’s Four Flies on Grey Velvet (Quattro Mosche Di Velluto Grigio) and J.G. Thirlwell (Foetus) is the dude who scores the cartoon masterpiece The Venture Bros.

Black Shabbis: The Trail of Libels - Jamie Saft

The River - Ananda Shankar

Les Fusées - Alain Goraguer

The Yelm Sessions - Eyvind Kang

Daily Living - Kaada

The End Times - Secret Chiefs 3

Marcha De La Santa Sangre - Orthodox

Habibaty (My Beloved) - Omar Khorshid

Come Maddalena - Sun City Girls

O Putrid Sun (For Yuko) - Foetus

Jamie Lawson - Memory of Fire

Jamie made a badass mix of psychedelic metal madness for designers.mx.

1. Cross Builder - The Secret

2. A Rush of Blood - Cleric

3. Exterminating Angel - Secret Chiefs 3: The Holy Vehm

4. The Crystal World - Locrian

5. Dub kuolleen porton muistolle - Oranssi Pazuzu

6. Mysteries of the Organ - Burning Star Core

7. The Invisible Mountain - Horseback

8. Vastness and Sorrow - Wolves in the Throne Room

9. The Antique - Kayo Dot

10. Alice - Sunn O)))

Jamie Lawson - Synæsthesia Text Project 15

Originally posted on it’s all gone potatoes.

Milton Glaser - DOUBT IS BETTER THAN CERTAINTY.

Milton Glaser, Beatrice, from Dante’s Purgatorio.

8. “Everyone always talks about confidence in believing what you do. I remember once going to a class in yoga where the teacher said that, spirituality speaking, if you believed that you had achieved enlightenment you have merely arrived at your limitation. I think that is also true in a practical sense. Deeply held beliefs of any kind prevent you from being open to experience, which is why I find all firmly held ideological positions questionable. It makes me nervous when someone believes too deeply or too much. I think that being skeptical and questioning all deeply held beliefs is essential. Of course we must know the difference between skepticism and cynicism because cynicism is as much a restriction of one’s openness to the world as passionate belief is.”

Milton Glaser, from Ten Things I Have Learned, part of AIGA Talk in London. November 22, 2001

Image courtesy of This Week in New York.

Jamie Lawson - Synæsthesia Text Project 14

“And now came this Isabel with that red smear for a mouth…”

The Stories of Vladimir Nabokov was a gift from a good friend - the inscription reads, “…the best Russian synæsthete for Jamie and Jacqui…”. I’d somehow never read Nabokov before, and I chose this book to use for this piece as a good excuse to correct that.

I flipped to the page my magical musical process determined, and was floored to find such a comically colour-evocative sentence. I almost didn’t use it, thinking it would be a bit obvious (& therefore difficult), but decided that it was worth pursuing… Later that night I read Wingstroke, the short story that contains the line and the whole thing came together. Naked City’s Grand Guignol soundtracking lent an even more ominous and quietly violent aspect, perfectly twinning the vibe of the story.

This quickly became one of the more expressive pieces so far in the STP series. The dominant reds and blues really took over, not just due to their inherent visual potency, but from the power given them by the words themselves. The words Isabel, red smear & mouth all containing a good proportion of reds & blues, loom large compositionally as well as conceptually.

Below is the letter/colour breakdown – each square corresponds with one of the letters in the phrase (for example: A=blue; N=brown; D=brown &c.). In the final art I try to represent the effect that I perceive from the combination of letters. The initial letter of each word having a pronounced sway over the rest, the secondary colours become hazy echoes.

Originally posted on it’s all gone potatoes.


Metal-faced printing blocks found at Wayzgoose.

Jamie Lawson - SYNÆSTHESIA TEXT PROJECT 13

“All these motions meant parts of time and fate.” From Hamlet’s Mill by Giorgio de Santillana & Hertha Von Dechend

Synæsthesia Text Projects are an ongoing series of text-based posters revolving around Jamie’s experience of grapheme (letter/number) - colour synæsthesia.
Grapheme - colour synæsthesia on Wikipedia

Below is the letter/colour breakdown – each square corresponds with one of the letters in the phrase (for example: A=blue; L=light brown; T=orange; H=dark orange; &c.). In the final art I try to represent the effect that I perceive from the combination of letters, the initial letter of each word having a pronounced sway over the rest.

Originally posted on it’s all gone potatoes.

VERNER PANTON, 1926-1998

DESIGNER / COLOUR THEORIST OF THE 20TH CENTURY

“The main purpose of my work is to provoke people into using their imagination. Most people spend their lives housing in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with colours, textiles and furniture and utilizing the latest technologies, I try to new ways, to try to encourage people to use their fantasy and make their surroundings more exciting.”

vernerpanton.com
desiretoinspire.net
flickr fabpanton galleries

Jamie Lawson - Synæsthesia Text Project 12

“(Toleration has often been absent in the great monotheistic religions, which have tended to) regard non-orthodox beliefs as idolatry, heresy (or apostasy). Larousse Dictionary of Beliefs and Religions, from the section titled Tolerance.

The Dictionary of Beliefs and Religions has been a pretty handy book over the years. It was required course reading for a Comparative Religion class I was enrolled in at McMaster University but I’m not sure I used it all until after my (rather hasty) departure from institutionalized higher learning. It’s a book I’ve used for similar purposes to this one in the past – that is, randomly selecting a page or topic & using it to stimulate ideas & such… no matter what page you flip to, there’s always some weird stuff. In this case, I think it’s appropriate that it’s the section on (religious) tolerance that I stumble upon – a very timely & relevant connection for me, what with the eminent paganism of the music that played during the poster’s creation and the general distaste for orthodoxy of any sort (not to mention the interest in “idolatry” & “heresy”) here at the Open Window Society… Lots of interesting ideas in here from the get-go.

Synæsthesia Text Projects are an ongoing series of text-based posters revolving around Jamie’s experience of grapheme (letter/number) - colour synæsthesia.
Grapheme - colour synæsthesia on Wikipedia

Below is the letter/colour breakdown – each square corresponds with one of the letters in the phrase (for example: R=green; E=blue; G=green; A=blue; &c.). In the final art I try to represent the effect that I perceive from the combination of letters, the initial letter of each word having a pronounced sway over the rest. Here, the reds and greeny-grey-browns dominate, with a sprinkling of hazy blue.

Originally posted on it’s all gone potatoes

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