The Open Window Society

The Open Window Society

Notions on sci-fi, horror, psychedelia & other phenomena from the edges of reality in graphic arts, literature, music & film.

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Custodians:
Jacqui Oakley
artist, illustrator
Jamie Lawson
artist, designer at poly

The Open Window Society would like to acknowledge the following:
William S. Burroughs / J.G. Ballard / J.L. Borges / Brion Gysin / Athansius Kircher / Philip K. Dick / Alfred Bester / Cordwainer Smith / Aleister Crowley / Wallace Berman / Arthur C. Clarke / Ray Bradbury / Andrei Tarkovsky / Syd Mead / Hans Belmer / Max Ernst / Francis Bacon (both) / Arthur Rackham / Aubrey Beardsley / Austin Osman Spare / Wassily Kandinsky / HP Lovecraft / Algernon Blackwood / Arthur Machen / Jack Vance / Stanislaw Lem / Franciszek Starowieyski / Gustav Meyrink / Jules Verne / HG Wells / John Wyndham / Franz Kafka / Amos Tutuola / Robert Anton Wilson / William Blake / Frank Herbert / Frater Achad / Lewis Carrol / Winsor McKay / Josef Albers / Goethe / Làszló Moholy-Nagy / Edgar Allan Poe / Mary Shelley / Ingmar Bergman / Federico Fellini / Aldous Huxley / James Joyce / Odilon Rédon / George Orwell / John Varley / Delia Derbyshire / György Ligeti / Wendy Carlos / Karlheinz Stockhausen / Jan Švankmajer / Max Fleischer / Augustin Lesage / Ray Harryhausen / Isaac Asimov / Buckminster Fuller / Marcel Duchamp / Man Ray / T.F. Marinetti / El Lissitsky / Fortunato Depero / Fernand Léger / Robert Delaunay / Robert Desnos / John Cage / Tex Avery /

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8 posts tagged art

Jamie Lawson - Arcade

Jamie’s second mix for designers.mx. Some quieter & prettier tunes here, but still alien, psychedelic & cinematic* enough to keep your brain kindled. Lots of strings, twangs, la-la-las & ooo-ooo-ooos. Was looking to get some of that weird dreaminess across in the art too – apologies if anyone was expecting something a little more proggy…

*Les Fusées by Alain Goraguer is from the awesome animated movie Fantastic Planet (La Planete Sauvage), Come Maddalena by Sun City Girls is a cover of Ennio Morricone’s Come Un Madrigale from the soundtrack to Dario Argento’s Four Flies on Grey Velvet (Quattro Mosche Di Velluto Grigio) and J.G. Thirlwell (Foetus) is the dude who scores the cartoon masterpiece The Venture Bros.

Black Shabbis: The Trail of Libels - Jamie Saft

The River - Ananda Shankar

Les Fusées - Alain Goraguer

The Yelm Sessions - Eyvind Kang

Daily Living - Kaada

The End Times - Secret Chiefs 3

Marcha De La Santa Sangre - Orthodox

Habibaty (My Beloved) - Omar Khorshid

Come Maddalena - Sun City Girls

O Putrid Sun (For Yuko) - Foetus

Jamie Lawson - Memory of Fire

Jamie made a badass mix of psychedelic metal madness for designers.mx.

1. Cross Builder - The Secret

2. A Rush of Blood - Cleric

3. Exterminating Angel - Secret Chiefs 3: The Holy Vehm

4. The Crystal World - Locrian

5. Dub kuolleen porton muistolle - Oranssi Pazuzu

6. Mysteries of the Organ - Burning Star Core

7. The Invisible Mountain - Horseback

8. Vastness and Sorrow - Wolves in the Throne Room

9. The Antique - Kayo Dot

10. Alice - Sunn O)))

Jamie Lawson - Synæsthesia Text Project 15

Originally posted on it’s all gone potatoes.

Jamie Lawson - Synæsthesia Text Project 14

“And now came this Isabel with that red smear for a mouth…”

The Stories of Vladimir Nabokov was a gift from a good friend - the inscription reads, “…the best Russian synæsthete for Jamie and Jacqui…”. I’d somehow never read Nabokov before, and I chose this book to use for this piece as a good excuse to correct that.

I flipped to the page my magical musical process determined, and was floored to find such a comically colour-evocative sentence. I almost didn’t use it, thinking it would be a bit obvious (& therefore difficult), but decided that it was worth pursuing… Later that night I read Wingstroke, the short story that contains the line and the whole thing came together. Naked City’s Grand Guignol soundtracking lent an even more ominous and quietly violent aspect, perfectly twinning the vibe of the story.

This quickly became one of the more expressive pieces so far in the STP series. The dominant reds and blues really took over, not just due to their inherent visual potency, but from the power given them by the words themselves. The words Isabel, red smear & mouth all containing a good proportion of reds & blues, loom large compositionally as well as conceptually.

Below is the letter/colour breakdown – each square corresponds with one of the letters in the phrase (for example: A=blue; N=brown; D=brown &c.). In the final art I try to represent the effect that I perceive from the combination of letters. The initial letter of each word having a pronounced sway over the rest, the secondary colours become hazy echoes.

Originally posted on it’s all gone potatoes.

Art exists because reality is neither real nor significant.

J.G. Ballard

Dushan Milic - Park Legends

“Oh! No mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch. I had gazed on him while unfinished; he was ugly then, but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived”

Frankenstein - by Mary Shelley

Art by Dushan Milic

Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels.

FRANCISCO DE GOYA

Henrique Oliveira

via henriqueoliveira.com

Tapumes - Casa dos Leões - 2009

VII Bienal do Mercosul, Porto Alegre, Brazil

(site specific installation) – wood and PVC

photo: Eduardo Ortega

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