The Open Window Society

The Open Window Society

Notions on sci-fi, horror, psychedelia & other phenomena from the edges of reality in graphic arts, literature, music & film.

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Custodians:
Jacqui Oakley
artist, illustrator
Jamie Lawson
artist, designer at poly

The Open Window Society would like to acknowledge the following:
William S. Burroughs / J.G. Ballard / J.L. Borges / Brion Gysin / Athansius Kircher / Philip K. Dick / Alfred Bester / Cordwainer Smith / Aleister Crowley / Wallace Berman / Arthur C. Clarke / Ray Bradbury / Andrei Tarkovsky / Syd Mead / Hans Belmer / Max Ernst / Francis Bacon (both) / Arthur Rackham / Aubrey Beardsley / Austin Osman Spare / Wassily Kandinsky / HP Lovecraft / Algernon Blackwood / Arthur Machen / Jack Vance / Stanislaw Lem / Franciszek Starowieyski / Gustav Meyrink / Jules Verne / HG Wells / John Wyndham / Franz Kafka / Amos Tutuola / Robert Anton Wilson / William Blake / Frank Herbert / Frater Achad / Lewis Carrol / Winsor McKay / Josef Albers / Goethe / Làszló Moholy-Nagy / Edgar Allan Poe / Mary Shelley / Ingmar Bergman / Federico Fellini / Aldous Huxley / James Joyce / Odilon Rédon / George Orwell / John Varley / Delia Derbyshire / György Ligeti / Wendy Carlos / Karlheinz Stockhausen / Jan Švankmajer / Max Fleischer / Augustin Lesage / Ray Harryhausen / Isaac Asimov / Buckminster Fuller / Marcel Duchamp / Man Ray / T.F. Marinetti / El Lissitsky / Fortunato Depero / Fernand Léger / Robert Delaunay / Robert Desnos / John Cage / Tex Avery /

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Milton Glaser - DOUBT IS BETTER THAN CERTAINTY.

Milton Glaser, Beatrice, from Dante’s Purgatorio.

8. “Everyone always talks about confidence in believing what you do. I remember once going to a class in yoga where the teacher said that, spirituality speaking, if you believed that you had achieved enlightenment you have merely arrived at your limitation. I think that is also true in a practical sense. Deeply held beliefs of any kind prevent you from being open to experience, which is why I find all firmly held ideological positions questionable. It makes me nervous when someone believes too deeply or too much. I think that being skeptical and questioning all deeply held beliefs is essential. Of course we must know the difference between skepticism and cynicism because cynicism is as much a restriction of one’s openness to the world as passionate belief is.”

Milton Glaser, from Ten Things I Have Learned, part of AIGA Talk in London. November 22, 2001

Image courtesy of This Week in New York.

Jamie Lawson - Synæsthesia Text Project 14

“And now came this Isabel with that red smear for a mouth…”

The Stories of Vladimir Nabokov was a gift from a good friend - the inscription reads, “…the best Russian synæsthete for Jamie and Jacqui…”. I’d somehow never read Nabokov before, and I chose this book to use for this piece as a good excuse to correct that.

I flipped to the page my magical musical process determined, and was floored to find such a comically colour-evocative sentence. I almost didn’t use it, thinking it would be a bit obvious (& therefore difficult), but decided that it was worth pursuing… Later that night I read Wingstroke, the short story that contains the line and the whole thing came together. Naked City’s Grand Guignol soundtracking lent an even more ominous and quietly violent aspect, perfectly twinning the vibe of the story.

This quickly became one of the more expressive pieces so far in the STP series. The dominant reds and blues really took over, not just due to their inherent visual potency, but from the power given them by the words themselves. The words Isabel, red smear & mouth all containing a good proportion of reds & blues, loom large compositionally as well as conceptually.

Below is the letter/colour breakdown – each square corresponds with one of the letters in the phrase (for example: A=blue; N=brown; D=brown &c.). In the final art I try to represent the effect that I perceive from the combination of letters. The initial letter of each word having a pronounced sway over the rest, the secondary colours become hazy echoes.

Originally posted on it’s all gone potatoes.

OCTOPUS BALLET

Beautiful & eerie clip of a deep sea octopus complimented by Beethoven’s “Moonlight Sonata,” performed by Bryan Verhoye. Little is known about the deep-sea octopuses that live in proximity to the hydrothermal vent fields associated with the underwater volcanoes of the Juan de Fuca Ridge in the Northeast Pacific Ocean.

This white octopus was filmed with a high-definition underwater video camera at 6600 feet depth 200 miles off the coast of Oregon in September 2005 as part of the VISIONS ‘05 expedition led by Professors John Delaney and Deborah Kelley of the University of Washington.

via Dangerous Minds & Unique Daily


Metal-faced printing blocks found at Wayzgoose.

Art exists because reality is neither real nor significant.

J.G. Ballard

[Flash 9 is required to listen to audio.]
Funny Thing Is - Alvarius B

Alvarius B - Funny Thing Is

Alvarius B (Alan Bishop of the immortal Sun City Girls for the uninitiated) covers Ennio Morricone… I don’t really need to write anything further to impel you to give a listen, except to say that it’s even more beautiful than one would expect. AB turns down the snide, amps up the “lonely organ” (as Byron Coley aptly calls it) and sends shivers up me timbers. Unfortunately limited to 300 pressing upon release. No, I don’t have one either.

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Jamie Lawson - SYNÆSTHESIA TEXT PROJECT 13

“All these motions meant parts of time and fate.” From Hamlet’s Mill by Giorgio de Santillana & Hertha Von Dechend

Synæsthesia Text Projects are an ongoing series of text-based posters revolving around Jamie’s experience of grapheme (letter/number) - colour synæsthesia.
Grapheme - colour synæsthesia on Wikipedia

Below is the letter/colour breakdown – each square corresponds with one of the letters in the phrase (for example: A=blue; L=light brown; T=orange; H=dark orange; &c.). In the final art I try to represent the effect that I perceive from the combination of letters, the initial letter of each word having a pronounced sway over the rest.

Originally posted on it’s all gone potatoes.

The grand thing about the human mind is that it can turn its own tables and see meaninglessness as ultimate meaning.

JOHN CAGE

Where there is no imagination there is no horror.

SIR ARTHUR CONAN DOYLE
thecabinet.com

[Flash 9 is required to listen to audio.]
Labyrinth Of Light - Secret Chiefs 3: UR

Secret Chiefs 3: UR - Labyrinth Of Light

This is what it’s all about. From the amazing cover art to the faux-live audience noise, this is a singular gem in the ever-magnificent and impossible to over-state conceptual artistry that is the career of SC3. Released a few years ago as part of a series of 7”s dedicated to SC3’s “satellite” or alter-ego bands (the sleeve of which was fabulously “aged” as this was, of course, recorded live during one of UR’s legendary European tours in the 70s), this track is backed with the equally awesome Circumambulation. Also available on Satellite Supersonic Vol. 1, a collection of (most of) the music released by the satellite bands. Super epic organ-driven progtacular surf rock with some mystical funk & analog synth for you - get it!

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